(born 1 June 1860 in Bridport, Dorset) was an English painter and printmaker. He studied metallurgy and worked in that field for several years. At age 23, he enrolled in the Royal Academy in London, where he studied painting and etching. After three years of study in London, he entered the private studio school Academie Julian in Paris, where he studied under Jules Joseph Lefebvre (1836-1911) and Gustave Boulanger (1824-1888). In 1889, he returned to England and married Emily Tate, but shortly thereafter, his wife and infant son died in childbirth. Bartlett then traveled to Europe, spending several productive years in Holland, Brittany and Venice with his friend and fellow artist Frank Brangwyn (1867-1956). Brangwyn is believed to have introduced Bartlett to Japanese prints. Bartlett produced some of his most important early works on the Continent, especially studies of peasants painted in broad areas of color. He was invited to join the Societe Nationale des Beaux-Arts in France in 1897. In 1898, he returned to England and married Catherine Kate Main.  Related Paintings of Charles W. Bartlett :. | Amritsar | Benares (No. 1) | Prayers at Sunset, Udaipur, India, woodblock print by Charles W. Bartlett, 1919, Honolulu Academy of Arts | Scythe Menders, Holland | Date c. 1930 |
Related Artists:
Jacob van Schuppen
Born in Fontainebleau, France, as the son of the painter-engraver Pieter van Schuppen, he worked in the Netherlands before moving to Vienna. He was taught to paint by his father and his uncle Nicolas de Largilliere. In 1719 he was registered in Luneville, but he moved in the same year to Vienna where he became court painter. In 1725 he was appointed director of the Academy of Fine Arts Vienna, when it was refounded by Emperor Charles VI as the k.k. Hofakademie der Maler, Bildhauer und Baukunst (Imperial and Royal Court Academy of painters, sculptors and architecture).
Sofonisba Anguisciola
1532?C1625, The best known of the sisters, she was trained, with Elena, by Campi and Gatti. Most of Vasari's account of his visit to the Anguissola family is devoted to Sofonisba, about whom he wrote: 'Anguissola has shown greater application and better grace than any other woman of our age in her endeavours at drawing; she has thus succeeded not only in drawing, colouring and painting from nature, and copying excellently from others, but by herself has created rare and very beautiful paintings'. Sofonisba's privileged background was unusual among woman artists of the 16th century, most of whom, like Lavinia Fontana (see FONTANA (ii),(2)), FEDE GALIZIA and Barbara Longhi (see LONGHI (i), (3)), were daughters of painters. Her social class did not, however, enable her to transcend the constraints of her sex. Without the possibility of studying anatomy, or drawing from life, she could not undertake the complex multi-figure compositions required for large-scale religious or history paintings. She turned instead to the models accessible to her, exploring a new type of portraiture with sitters in informal domestic settings. The influence of Campi, whose reputation was based on portraiture, is evident in her early works, such as the Self-portrait (Florence, Uffizi). Her work was allied to the worldly tradition of Cremona, much influenced by the art of Parma and Mantua, in which even religious works were imbued with extreme delicacy and charm. From Gatti she seems to have absorbed elements reminiscent of Correggio, beginning a trend that became marked in Cremonese painting of the late 16th century.
Kazimierz Alchimowicz
(1840 ?C 1916) was a Lithuanian-born Polish romantic painter. Born in Dziembrow, Lithuania, Alchimowicz was banished to Siberia for six years for his participation in the January Uprising. After his return, he enrolled in a drawing class in Warsaw taught by Wojciech Gerson. The class had a great influence on his later artistic works. He later studied art in Munich, Germany and Paris, France. While staying in France, Alchimowicz was a craftsmen decorating porcelain and earthenware crafts. He settled permanently in Warsaw in 1880 to paint professionally. His artistic inspiration mainly came from patriotic topics and history.